Review: Aquarium Drunkard — Breadwoman

March 15, 2016

The genesis of Breadwoman stretches back to the early ’80s, when performance artist Anna Homler found herself singing while driving through Topanga Canyon, chanting out in a strange, rhythmic cadence.
Homler’s melodies weren’t from any language she recognized, but felt like more than just absentminded moans or nonsensical babbles to her. “I still remember the moment,” Homler says via the telephone. “It was a
language I didn’t know but it was musical and melodic.”

Link to Aquarium Drunkard Article online