May 21, 2016
Anna Homler US
Steven Warwick UK
Natsuko Kono JP
A project borne of myth, mystery and shadow play in eighties Los Angeles gets gloriously animated for the 2016 stage: meet Breadwoman, the character that embodies US vocalist and performance artist Anna Homler’s practice of divining speech, lyrical fragments, and melody for music, with the fluid synthetic excursions of Steven Warwick aka Heatsick as her modern-day accomplice.
Originally recorded in 1985, The album Breadwoman & Other Tales found Homler in musical dialogue with electro-acoustic composer and LA avant-garde contemporary Steve Moshier, on a set of otherworldly spirituals delivered in an invented language by Homler over Moshier’s rich and strange production. To mark the reissue of this unheralded landmark album by the RVNG label in February 2016, Homler will give rise to Breadwoman again for a series of very special mixed-media performances, with Warwick rechanneling Moshier’s material for the live realm.
It’s 1982, and Anna is driving an ocean blue classic Cadillac to meet renowned poet and playwright Deena Metzger in Topanga Canyon, Los Angeles. Passing a non-descript desert patch where tall wheat and mustard flowers grow, Anna opens her mouth and sings in a salient stream of rhythmic, melodic sound. Breadwoman is born, but not by immaculate conception. For Homler, performance art had become “a form big enough to contain everything happening”, and as this performative freedom fed into the enchanted vocalese, the character of Breadwoman emerged.